tag:blogger.com,1999:blog-1912669500934497251.post2646174195394560680..comments2023-09-29T03:39:03.460-04:00Comments on Gratuitous Violins: I've been waiting for GodotEstherhttp://www.blogger.com/profile/16076517542540421210noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-1912669500934497251.post-89008967961781813972008-07-12T11:36:00.000-04:002008-07-12T11:36:00.000-04:00Thanks for the comment Linz!Yeah, I think a lot of...Thanks for the comment Linz!<BR/><BR/>Yeah, I think a lot of what I read was (and probably still is) over my head. I think I read Rosencrantz & Guidenstern in high school. After sitting through "Rock 'n' Roll" on Broadway, I can't say I have a great desire to revisit Tom Stoppard. Perhaps once was enough!<BR/><BR/>For me, what makes Godot so fascinating is that it's open to so much interpretation and endless discussion about what it means. Or, it may mean nothing at all. Who knows?!Estherhttps://www.blogger.com/profile/16076517542540421210noreply@blogger.comtag:blogger.com,1999:blog-1912669500934497251.post-47926444135275877982008-07-12T11:17:00.000-04:002008-07-12T11:17:00.000-04:00I realized that I have never seen any of the theat...I realized that I have never seen any of the theatre of the absurd either. In fact, I think I have only ever read it. And, admittedly, a lot of it was over my head at the time. Maybe I should try re-reading some of them now. One of my personal favorite was always Rosencrantz & Guildenstern Are Dead.<BR/><BR/>I would be very interested to see this new production of Godot.Linz McChttps://www.blogger.com/profile/14552277903004765691noreply@blogger.com