Jersey Boys

Jersey Boys, at the Providence Performing Arts Center.
Gratuitous Violins rating: *** out of ****

I have now seen - on Broadway or on tour - all 16 Tony nominees for Best Musical from 2006 to 2009. The holdout was Jersey Boys and over the weekend I finally took in the 2006 winner.

My verdict: Jersey Boys is a pretty entertaining 2 1/2 hours. Marshall Brickman and Rick Elice do a good job telling the story of Frankie Valli and The Four Seasons. And the musical numbers, with Sergio Trujillo's choreography, are terrific. I wish they'd gone on longer.

I enjoyed learning how four blue-collar kids from New Jersey - Valli, Nick Massi, Tommy DeVito and Bob Gaudio - came together to form a band. It was a time, as one of them explains, when young men from the neighborhood had three choices: join the Army, get mobbed up or become a star.

Brickman (an Oscar winner for co-writing one of my favorite movies, Annie Hall) and Elice make each one memorable - Valli the quiet kid with the sweet falsetto, Massi the group's self-described "Ringo Starr," Gaudio the songwriter who's afraid he won't be able to repeat his early success, and DeVito the one who can't seem to stay out of trouble.

The storytelling in Jersey Boys isn't perfect. For one thing, did people really use the f-word that much in 1960? And after a snappy first act, leading up to The Four Seasons' first hit, "Sherry," I thought the second act dragged a bit. (Also, some of the songs seemed to get cut short.)

But I got a good sense of what kept the four together and the pressures that threatened to split them up. I liked the performances: Ryan Jesse as Gaudio, Matt Bailey as DeVito, Steve Gouveia as Massi and especially the dynamic Joseph Leo Bwarie as Frankie Valli. When they were singing, it was like being at a concert back in the day.

What surprised me about Jersey Boys was how many songs I knew that I didn't even know were Four Seasons songs: "Sherry," "Walk Like A Man," "Big Girls Don't Cry," "Can't Take My Eyes Off of You," "Working My Way Back To You," "December 1963 (Oh What A Night)."

Those songs - many of them written by Gaudio and producer Bob Crewe - are reminders of a time when catchy, 3-minute pop tunes ruled the airwaves. For me, and I think for a lot of other people in the audience, swaying to that music was when Jersey Boys truly came alive.

PPAC's 2009-2010 season

All right, the Providence Performing Arts Center has finally released the schedule for its 2009-2010 season.

Here's the lineup:

Young Frankenstein: Sept. 29 - Oct. 4; Avenue Q: Oct. 20 - 25; Wicked: Dec. 16 - Jan. 10; Xanadu: Feb. 16 - 21; Beauty and the Beast: Feb. 23 - 28; 101 Dalmations: March 16 - 21; A Bronx Tale: April 16 - 18; Jersey Boys: May 12 - June 6.

I'm excited about Xanadu, since I never got a chance to see it on Broadway and it's supposed to be tons of campy fun - on roller skates! I love the movie of 101 Dalmations. And Chazz Palminteri got great reviews for A Bronx Tale when he did the one-man show in New York.

On the other hand, while it's great that Young Frankenstein is starting its national tour in Providence, I was disappointed when I saw it on Broadway and it did get very lukewarm reviews. This was one of those shows where everyone around me was laughing hysterically and I was only mildly amused.

Plus, we seem to be getting a lot of musicals that have been around for awhile: Avenue Q and Jersey Boys, Disney's Beauty and the Beast. I'm a huge fan of Wicked and I'll definitely see it again, but it was just here two years ago.

Next year's lineup also seems a lot less diverse than this year's, which includes Fiddler on the Roof, A Chorus Line, Spring Awakening and The Color Purple.

Compare PPAC's season with Hartford's Bushnell Center for the Performing Arts, which is getting the national tours of three current, highly regarded Broadway shows: South Pacific, In the Heights and August: Osage County. I loved them all and they would have been in my lineup, along with Mary Poppins, Dreamgirls and Little House on the Prairie.

Granted, I'm looking at this as a theatre maven, not as your average theatre fan who doesn't get to New York - or even Boston. Jersey Boys and Avenue Q have the cachet of winning the Tony for Best Musical; Wicked, Young Frankenstein, 101 Dalmations and Beauty and the Beast have name recognition.

And who knows, maybe they weren't offered any of those other shows.

Jersey Boys hit a couple of C notes

I know it's a little like baying at the moon or bringing coals to Newcastle or something but please indulge me as I express my outrage at ticket prices.

The Jersey Boys tour is coming to Boston this summer, from July 23 to Sept. 26, and I was thinking about going. Not that I would do this, but just for yuks I checked out the premium price for a Sunday matinee at the Citi Performing Arts Center's Shubert Theatre. It was $200! That's before adding in the $16.25 "service charge" and the $2 "handling fee."

Of course, no one is saying I have to spend that much. I could get a plain vanilla orchestra seat for $99 or sit in the back of the balcony for $49. I'm guessing with group discounts and the like, very few people will actually pay $200 for a ticket.

And granted, $200 is still a bargain compared with Broadway. A premium seat for Jersey Boys on the same Sunday afternoon at the August Wilson Theatre will set you back a whopping $352, not including a $7 service charge and $2.50 for handling.

Now, I'm far from a theatre snob. I see many fine Broadway shows on tour. I'm sure the performers in this production of Jersey Boys are terrific. Looking at their biographies, it seems quite a few have Broadway credits. So it's not like I'd be paying to hear four guys from the neighborhood croon some Frankie Valli & The Four Seasons tunes.

But still - $200 for the best seat on tour, when you may not be getting all the bells and whistles of a Broadway production. Am I out of line in thinking there's something wrong here?