Dan Savage: It gets better

Please, the next time you're about to say "that's so gay," stop for a moment and think about Tyler Clementi, Justin Aaberg, Seth Walsh, Billy Lucas and Asher Brown, driven to suicide by homophobic bullying.

Forget what your mother told you, words do hurt. Name-calling dehumanizes the target and desensitizes the rest of us into believing that it's acceptable. It's not. It's not acceptable to use "gay" as an object of derision.

Unfortunately the Internet has opened up new avenues for the bullies, so it's good to see technology used to help the victims. Writer Dan Savage and his husband, Terry Miller, have started a project on YouTube called It Gets Better, in which gay and lesbian adults share their stories.

Dan and Terry talk about what they went through in high school as gay teens and the abuse they endured, especially Terry, was horrific. But the story doesn't end there. Things did get better. The two describe their lives today: how they met, raising their son, being part of loving, supportive families.

Savage is a very sharp, witty writer - I've read three of his books and watched him on HBO's Real Life with Bill Maher. Here, he shows a sweet, tender side. I mean, just look at him looking at Terry. Adorable!

I know it's impossible to think of things getting better when you're caught in a terrible situation. But hopefully these videos can help closeted teens realize that they will have dignity as open, proud men and women. They can meet their true love, be successful, have a wonderful life filled with people who support them.

While he wasn't a victim of bullying, I still remember the disbelief and sadness I felt when I found out that someone I knew had killed himself. My thoughts are with the friends and families of Tyler, Justin, Seth, Billy and Asher.

The kid takes a big step forward

Why didn't somebody tell me about this! I just found the BMI Workshop Songbook Podcast, featuring Broadway notables singing songs from musicals in development. (Okay, maybe somebody did tell me and I forgot.)

I definitely have to go to iTunes and download the entire series even though I already have about 200 podcasts I haven't listened to yet.

I found the podcasts because I was looking for information about the new musical The Kid, based on the book by Dan Savage about his effort to adopt a child with his partner, Terry Miller. While I was following Sarah's tweets Saturday from Wall to Wall Broadway, and wishing I were there, I noticed that she mentioned hearing songs from The Kid, so I did some research.

It turns out the musical, with a book by Michael Zam and music and lyrics by Andy Monroe and Jack Lechner, is going to be presented next spring as part of the 2009-2010 season by The New Group, a New York theatre company that's new to me.

I have to admit I've never heard of any of the people involved with this project. But they won the 2009 BMI Foundation Jerry Bock Award for Best New Musical. That's promising, right?

On the BMI blog, you can listen to an interview with Monroe and hear Cheyenne Jackson sing the title song. Just scroll down to March 14, 2008, and click on the link.

The song is funny in a self-deprecating kind of way and the lyrics definitely embody Savage's wit. It's also interesting to see how passages from the book - Savage's tongue-in-cheek rationale for wanting a child - are turned into song lyrics. Some lines, I think, are pretty much word for word.

As I mentioned before, I was a little skeptical that The Kid would work as a musical. I really liked the book - it's a very heartwarming story and Savage is a terrific writer. But I wondered how some of it, especially the more tension-filled parts, would translate into song.

The more I think about it though, the story is so inherently dramatic. Whether you're gay or straight, the adoption process seems like a journey riddled with frustration and anxiety, marked by moments of great hope and excitement contrasted with sadness and despair.

Savage definitely brings home those contrasting emotions and he handles them with a great deal of humor, compassion and poignancy. Hopefully the musical will do the same.

Can the kid carry a tune?

When I threw some love Dan Savage's way on Monday, there was one item I missed. Apparently a musical version of his book The Kid is in the works. It was reported by Michael Musto in The Village voice last fall. Musto said that Scott Elliott, who directed the Roundabout Theatre Company's 2006 revival of The Threepenny Opera, was involved with the project.

Now, after a year of regular theatergoing, I'm no longer a complete neophyte, but I'm still starry-eyed. And I still get excited when there's talk of turning a book or movie that I love into a musical. I'm excited even if it's something I never would have thought of in a gazillion years. (And why doesn't anyone ever talk of turning a book or movie into a play? Why is it always a musical?)

I'd probably put The Kid into that far-fetched category. I loved the story, about the attempt by Savage and his partner, Terry Miller, to adopt a baby. Savage is a terrific writer and The Kid is funny and poignant. There's a lot of drama as you follow them through the adoption process, not knowing until the very end how things will turn out.

But while there's a lot of humor, there are also some very serious elements to The Kid. For example, the mother of the baby Savage and Miller are adopting is a street punk who drank and used drugs during part of her pregnancy. One chapter deals with Savage's research into fetal alcohol syndrome. Not the stuff of light pop tunes.

On the other hand, I can't carry a tune, so what do I know? And the story of Dan and Terry's journey to fatherhood is very compelling. (Although turning the story into a musical is kind of ironic, since Dan and Terry don't quite share each other's tastes in tunes. Terry loves dance music and Dan can't stand it.)

I haven't read anything about the project except for that one short item, so who knows, it might already have been abandoned. But I hope not. No matter how far-fetched some of these proposed musicals seem, I'm always curious to see how they turn out. And if it's a book or movie I loved, I always keep my fingers crossed and hope for the best.

Family man

I've really enjoyed Dan Savage's appearances on Real Time with Bill Maher. His reports from the presidential campaign trail have been funny and brimming with insight. Savage, who is editorial director for the Seattle weekly The Stranger, also has a syndicated sex-advice column, called Savage Love. And he's written several books, so I thought I'd check them out.

I started with The Kid, Savage's account of trying to adopt a baby with his boyfriend, Terry Miller. (Boyfriend is his word, not mine. Savage doesn't like the the term partner. "It's just so ... genderless,'' he says). Then I moved to The Commitment, in which Savage uses the occasion of his and Terry's 10th anniversary to ruminate on love and marriage and relationships.

They're both great reads. Savage is a terrific writer - just as witty and sharp as he is on Bill Maher's show. He's especially adept at skewering the hatemongers, deftly pointing out the disconnects in their bigoted attitudes toward gay families and relationships. He has a dry, self-deprecating sense of humor and writes with incredible warmth and honesty.

I liked The Kid a bit more than The Commitment, although I recommend both of them. They're the kind of books you want to read quickly because they're so good, but you don't want to read quickly because you don't want them to end.

The Kid is more of a straightforward, linear story, as we follow Dan and Terry through the adoption process. Whether you're gay or straight, it's a journey riddled with frustration and anxiety. Savage handles it with a great deal of humor, compassion and poignancy.

For example, he wonders what the other, heterosexual couples must be thinking when Savage and his boyfriend walk into the conference room for a seminar held by the agency they've chosen. They're the last to arrive. "We were also the youngest, the malest, and the gayest."

Savage discusses the difficulty in knowing who exactly does hate you these days, when many people are more careful about hiding their bigotry. It would be much easier he writes, if all the bigots were blue. "We'd know whom we had to fight, and when we had to fight, and, more important, we'd know when we could finally relax."

They've chosen an agency that deals with open adoption, which means the birth mother picks them and maintains some contact with the child. To Savage's amazement, they get picked fairly quickly, by a teenage street punk named Melissa, who'd been turned down by other couples because she'd kept drinking and using drugs during the early stages of her pregnancy.

After some qualms about whether the baby would be healthy, they decide to go ahead with it. The book charts their progress, including their evolving relationship with Melissa, their fear that she'll change her mind about giving up the baby, and their reluctance to tell friends and family for fear of jinxing things. (Savage is the first to admit that he's very superstitious).

The Commitment picks up the story when their son, D.J., is a healthy, active, curious 6-year-old. He clearly loves his dads and they're clearly devoted to him. The three of them are the very picture of a happy, contented family.

There's one passage in particular, when D.J. has an earache in the middle of the night, that really got to me. Savage gets up to give him some medicine and writes about the joy of holding your child in your lap: "the way your child's hand feels resting in your own, the trusting, contented weight of your child sitting on your lap while you read or watch tv."

During the debate over gay marriage in Massachusetts, I had a conversation with a parent who recoiled at having to explain the issue to his young child. When D.J. asks Savage whether he can be gay when he grows up, Savage, who's pretty sure his son is straight, tells him: "It's not a decision you get to make. It's not a decision I got to make. It's a decision your heart makes. ... One day your heart will let you know whether you're going to be the kind of man who falls in love with a woman or a man." Beautiful, succinct, and not at all difficult to explain.

I didn't find The Commitment quite as satisfying because Savage goes off on some philosophical tangents about the meaning of love and the ancient Greeks. Those topics really didn't interest me as much as the story of Savage and his family, and they got a bit tedious. Whereas while I was reading The Kid, I don't think it dragged for a single paragraph.

Perhaps there's simply much more tension with The Kid, as you wonder whether whether Dan and Terry will get a baby, will the baby be healthy, will the birth mother go through with the adoption? (I'd imagine this would be a great book for any prospective parents who are considering open adoption).

But there's still a good, compelling story in The Commitment, as Savage and Terry decide what kind of party to have to celebrate their 10th anniversary, and whether, prodded by Savage's mother, they should go to Canada to get married. (Terry would be satisfied if they each got tattoos, and their son is at first adamantly opposed to their getting married, although if there's cake, he definitely wants a piece).

In The Commitment, Savage writes about his experiences growing up in an Irish Catholic family in Chicago, about the marriages of his parents and grandparents, and about the choices his siblings make. He spends a lot of time discussing gay and straight relationships, monogamy, the wedding industry, the history of putting bride and groom figurines on top of the wedding cake, the opposition to same-sex marriage, and whether gay people who have marriage ceremonies are "acting straight."

When I was reading The Kid, I felt very uncomfortable that Savage used the f-word so freely. Even though he normally employs the slur to describe homophobic attitudes, I didn't like it any more than I would reading a book by an African-American who constantly used the n-word. I'm aware of the argument that when members of minority groups use those slurs they rob the words of their sting. Sorry, I don't buy it. Those words still sting. In The Commitment, Savage seems to use the f-word less frequently, and he still gets his point across.

At their anniversary party, Savage describes the group of friends and relatives, gay and straight, who have gathered to help them celebrate. The scene reminds him of something Andrew Sullivan once said, about social conservatives wanting to devalue the lives of gay people and denigrate their relationships. That strategy, Sullivan said, worked only so long as gay people cooperated, "by staying in the closet, keeping their heads down, playing the euphemism game."

With straight friends and relatives outnumbering gays 5 to 1, Savage realizes that it's not only gay people who refuse to cooperate anymore. "Our straight friends and family members don't want us living in cultural and social limbo anymore either."

Savage is right - we certainly don't want our gay friends and family members living in social and cultural limbo. I wish the part of America that thinks it doesn't know any gay people would read these two books, and maybe begin to understand why.