Monday, December 17, 2007

Enchanted


The last time I saw Amy Adams in a movie she was so sweet and appealing as Ashley, the childlike and very pregnant Southerner in 2005's "Junebug." Adams received a well-deserved Oscar nomination for that role.

In Disney's "Enchanted," Adams has moved up a few notches on the social scale: she's Giselle now, a princess-in-waiting. But her character still has that same sweetness, although this time with a sense of wonder that comes from being a princess out of water. James Marsden plays Edward, her Prince Charming, with a great combination of sincerity, wit and royal entitlement. Marsden's been terrific in everything I've seen him in lately, including as teen dance show host Corny Collins in "Hairspray."

The first movie I ever remember seeing was from Disney - 1963's take on the legend of King Arthur, "The Sword in the Stone." So I was delighted that "Enchanted" starts off with a terrific animated sequence showing how Giselle met her Prince Charming. It reminded me of all those classic Disney animated movies. Eric at Man in Chair has the rundown on the references, along with all the Broadway stars, that crop up in "Enchanted."

Before Giselle and Edward can marry, she's banished by the evil queen, a perfectly nasty Susan Sarandon, to a place where there are no happy endings, which turns out to be midtown Manhattan. Giselle is rescued from a driving rainstorm by cautious, straightlaced divorce lawyer Robert Philip, played by Patrick Dempsey, who has a 6-year-old daughter, Morgan, a very sweet Rachel Covey, and a girlfriend, Nancy, a sassy Idina Menzel.

Soon, everyone is in Manhattan looking for Giselle: Edward, the queen, the queen's henchman, a very funny Timothy Spall, and one incredibly industrious chipmunk, voiced by Kevin Lima, who also directed the film. A great running gag is how they all appear in New York, one after another, through a manhole cover in Times Square.

And let me just say, the city looks especially enchanting in this movie. There are great scenes of Times Square, Katz's Deli on the Lower East Side, Columbus Circle, and an extended song-and-dance number that takes place in Central Park. (I couldn't help but think how great it'll look on stage when Disney gets around to turning "Enchanted" into a Broadway musical. I hope they get Matthew Bourne, who did the wonderful choreography for "Mary Poppins.")

"Enchanted" is a really sweet, fun, engaging movie, especially for anyone who loves romantic comedies, or Disney or New York City. I'm even thinking about picking up a copy of the score by Alan Menken and Stephen Schwartz, which recalls classic Disney tunes.

A large part of the credit goes to Adams. For all her innocence and naivete, she's also a princess with lots of pluck, determination and a take-charge attitude. (Although I could have done with far, far fewer computer-created rodents and insects in the scene where Giselle tidies up Robert's apartment).

I'm really looking forward to a couple of Adams' upcoming roles - the film version of the Tony and Pulitzer-winning play "Doubt," and "Julie and Julia," the real-life story of a woman who wrote a blog, and then a book, about working her way through Julia Child's "Mastering the Art of French Cooking." I've read the book, by Julie Powell, and I think Adams would be perfect in the part. Meryl Streep, who's also on tap to star in "Doubt," is supposed to play Julia Child.

I do have a couple of quibbles with "Enchanted." I did kind of wonder about the explanation for what happened to Robert's wife and Morgan's mother: apparently she just left them one day. Usually in this type of movie, the mother dies tragically young, like in "Bambi." It just seems like an odd plot choice for a movie aimed at children. Plus, I found the final battle between the queen and Giselle a little jarring. The movie starts with cute and cuddly animation straight out of "Bambi" and ends with a scary sequence that looks like it could have come from "Godzilla."

Still, I have to admit that I felt like crying at the end, as Giselle teaches Robert a thing or two about the power of love. I don't think I'm giving anything away by revealing that despite the queen's assertion, New York is a place for happy endings.

Sunday, December 16, 2007

So sorry to see you go


I know I'm way too old to be a "Spring Awakening" fangirl, but what can I say? I love this show. When I saw the Tony winner for best musical, in July, all I could think was, this is how people must have felt when they first saw "Hair" on Broadway in 1968. Spring Awakening is just so exciting, so imaginative in the way it tells its story.

And what an energetic, talented cast. At times, I felt like I was at a concert in a little club somewhere discovering a great new band. I loved the way rock music is used to tell a story that takes place more than a hundred years ago, with the anachronisms of modern lighting and microphones.

When I saw the song list, with titles like "Totally F***ed" and "The Bitch of Living," I wondered how they'd fit into the show, whether they'd be raunchy just for the sake of being raunchy. But the way the cast performed them, they were funny and they worked perfectly and they were really exciting to watch.

At first, I didn't think I'd be all that interested in teenage angst and sexual awakening in 19th century Germany, but I was very moved by the story. I felt for these teenagers and what they were going through and the pressures they faced. While some parts were fairly predictable, I think even a predictable story can pack an emotional punch if you care about the characters. And by the end, I was crying.

"Spring Awakening" was the last show in my summertime marathon of seven musicals in five days. Maybe part of it was reaching the end, but I left the theater feeling drained and exhilarated and wanting to listen to the music again.

My seat was near the rear of the orchestra in the Eugene O'Neill Theatre. I thought afterward that it would be great to see "Spring Awakening" up close, maybe even from the onstage seats, right next to John Gallagher Jr. So of course I'm a little sad that today was the Tony winner's final performance as troubled schoolboy Moritz, but I'm so glad I had a chance to see him in the role.

In addition to being a terrific actor, singer and musician, the 23-year-old Gallagher is also a tremendously gracious young man. Although I'm sorry to see him leave the "Spring Awakening," I wish him all the best with whatever he tackles next. While his band, Old Springs Pike, has concerts coming up this winter, I hope there's more acting in Gallagher's future as well.

I had the pleasure of meeting Gallagher at the stage door after a Wednesday matinee. He was the last cast member to come out. A large part of the very large crowd had left, and I was so disappointed because I thought I'd missed him. But eventually he appeared, smiling and looking like he'd just showered. He chatted and posed for pictures with everyone as made his way down the line.

I'd already arranged with the person next to me that we'd take each other's pictures. When Gallagher got to us, I congratulated him on his well-deserved Tony and said we'd each like an autograph and to have our pictures taken with him. He beamed and said sweetly, "Well, I'd like to have my picture taken with you." Ok, let me just say, Mr. and Mrs. Gallagher, if you're reading this, you raised a very polite son! It was a such a memorable way to end my trip to New York.

While Gallagher has moved on, and Christine Estabrook, who plays the female adult roles, is leaving this week, much of the original cast remains with "Spring Awakening." The equally talented Jonathan Groff and Lea Michele, who portray lovers Melchior and Wendla, have extended their stay through May 18. (I think Michele has an absolutely gorgeous voice). Replacing Gallagher will be film and television actor Blake Bashoff, making his Broadway debut. Tony nominee Kate Burton will replace Estabrook.

Saturday, December 15, 2007

Wrestling with Angels

Last night, I watched the documentary on playwright Tony Kushner that's airing this month on PBS, "Wrestling with Angels." It's a really illuminating look at Kushner as a writer and as a person.

My introduction to his work came through the 2003 HBO miniseries of "Angels in America." I didn't actually have HBO at the time it aired, so while I was waiting for it to come out on DVD, I read the two plays that make up Angels: "Millennium Approaches" and "Perestroika."

While Kushner's work is about the AIDS crisis, it's not solely about that. In addition to the angels and the Mormons and Roy Cohn and Ethel Rosenberg what I took away from it was a very thoughtful and perceptive examination of what happens when someone we love falls ill. How well do we handle it?

And I think the final scene, in front of the Bethesda Fountain in Central Park, is so stirring and inspiring. It's not an ending about dying from a horrible disease, but rather about living with it, surrounded by people you love. There's a glimmer of hope and a vow not to be silent ever again.

The documentary, by Academy Award winner Freida Lee Mock, touches on most of Kushner's works. But it spends the most time on some of his more recent endeavors, including the play "Homebody/Kabul," the Holocaust-themed opera "Brundibar" and the musical drawing on his Louisiana childhood, "Caroline, or Change." (There must have been a lot of cameras following Kushner at one point, because "Caroline, or Change" is also one of the shows featured in the documentary "ShowBusiness: The Road to Broadway.")

Kushner wears his progressive politics on his sleeve, and he talks a lot about the political nature of his plays. We even see him going to Florida to ferry voters to the polls during the last presidential election. He's constantly talking about the need for the individual to take a stand and make a difference.

But it's the personal parts of the documentary that really fascinated me and gave me a fuller portrait of Tony Kushner than I'd ever had before. We see him getting around New York City on foot, by subway and cab, with a backpack slung over his shoulder. We visit his house in the country, and the little shed where he writes. We're guests at the wedding of Kushner and his partner, Mark Harris, in a traditional Jewish ceremony. (I caught sight of Marian Seldes for a brief second in a corner of the screen. That woman is everywhere!)

I especially loved the look at his small-town Southern Jewish roots. Kushner talks a lot about his family in the documentary. We travel with him to his hometown of Lake Charles, La. We see the small brick synagogue where he had his bar mitzvah and the lumberyard that his family owned. We meet his father and his brother.

I think that the title can work on two levels. Obviously, it's an allusion to "Angels in America." But I thought of another possible allusion. In the Book of Genesis, Jacob spends all night wrestling with a mysterious being, or an angel. He's given the name Israel, meaning one who has struggled or wrestled with God and prevailed.

Since then, the idea of wrestling with God has in many ways been at the core of Jewish identity. To me, it's not simply a religious struggle, but a struggle to understand the world and your place in it.

Whether or not you agree with his politics, I think that as a person, and as a playwright, that is what Tony Kushner is doing. He comes across as a very sincere, likable person as he talks about all of his struggles: coming out to his parents and being true to himself as a gay man, what it means to be a good person and a good citizen, and what an individual can do to make the world a better place.

Friday, December 14, 2007

Can't stop the musicals


This has been an especially great couple of years at the movies for fans of musical theater, starting with last winter's "Dreamgirls," then "Hairspray!" over the summer, and now, "Sweeney Todd."

While the cinematic version of "Sweeney Todd" is too intense for my tender sensibilities, there's no question that I'll be heading to my local multiplex in July to see the next stage-to-screen movie, "Mamma Mia!"

I'm really looking forward to seeing Meryl Streep, America's greatest living actress, singing and dancing on a sun-drenched Greek island - a perfect combination! Not to mention costars Pierce Brosnan, Colin Firth and Julie Walters.

In the Telegraph, Charles Spencer has an interview with three of the creative forces behind "Mamma Mia!" Judy Craymer, the producer who had the idea of turning Abba's hits into a stage show, Catherine Johnson, the writer, and Phyllida Lloyd, the director,

Craymer talks about getting Meryl Street for the movie: "She saw the show on Broadway and wrote us a fan letter saying what a great time she'd had. And it all happened rather fast. We spoke to her agent, her agent spoke to her, and apparently she said: "Mamma Mia!?? I AM Mamma Mia!?" and the next thing we knew, we were on a plane to see her, like over-excited teenagers."

Lloyd says that Streep threw herself into the project. "She told us she thought the role would really stretch her - it gave her a chance to be a singer, a rocker, a mother, and to use her looney-tunes farce skills."

And Johnson adds that she's pleased she got to keep the sole writing credit on the movie. She tells Spencer, "I kept expecting to be replaced at any moment by David Mamet or somebody."

I saw the stage version of "Mamma Mia!" at Broadway's Winter Garden Theatre in July and I had a great time. It was the first show in my sumertime musicals marathon - seven tuners in five days.

You know how sometimes a little snippet of music just pops into your head? Well, although I was never a huge ABBA fan, the songs have definitely stayed with me - every once in awhile I'll find myself thinking about a line from "I Have A Dream," "Dancing Queen" or "Honey Honey."

"Mamma Mia!" is light and sweet and the story is told with a lot of humor and great pop tunes. I loved Carolee Carmello as mom Donna Sheridan, and Carey Anderson as daughter Sophie, who invites three of her mother's ex-flames to her wedding, in hopes of discovering which one is her father.

(Although I have to say that no one in the show looks like the dark-haired bride on the original cast recording).

And the show has had incredible staying power, spawning productions around the world. "Mamma Mia!" has played more than 2,500 performances since opening on Broadway on Oct. 18, 2001, and manages to fill nearly 90 percent of its seats every week - without resorting to stunt casting.

Although I do wonder how parents explain the plot to their children - a woman who invites three men, one of whom is likely her father, to her wedding: "Why doesn't she know which one is her daddy?"

Too much gore?


No, I'm not talking about Al, although he has been in the news a lot lately. I'm talking "Sweeney Todd."

Along with "Assassins," which I'm not likely to have a chance to see anytime soon, "Sweeney Todd" is my favorite Stephen Sondheim score. I've seen the Broadway musical on dvd with an awesome, hilarious Angela Lansbury as the twisted piemaker Mrs. Lovett. This fall, I had a chance to see "Sweeney" on stage, when I took in the tour of director John Doyle's imaginative production.

I'm not a big Tim Burton or Johnny Depp fan. (I liked "Ed Wood" and "Edward Scissorhands," but the Burton/Depp collaboration on "Charlie and the Chocolate Factory" was a little too dark, and Depp's Willy Wonka was a little too weird for my taste). Still, I'd be looking forward to the movie version of "Sweeney Todd." There's just one problem: I'm very squeamish when it comes to violence. If there's not too much blood and gore, and it's not to graphic, I'll be fine. I can always take my glasses off and cover my eyes for a minute.

But I've had my doubts about whether I could take a realistic silver-screen version of "Sweeney Todd." After viewing the movie's opening credits on broadwayworld.com, I'm beginning to think I'll have to wait a few months for it to come out on dvd.

Ok, I know what you're thinking: exactly what did I expect? After all, it's a story about a barber who slits the throats of his customers and a baker who uses some unsavory ingrediants in her meat pies.

Well, it's not exactly the blood and guts that attracted me in the first place. Like I said, I enjoy the score, the Victorian England setting and the humor. And I admit that Burton and Depp's version may be closer to the Grand Guignol tradition of macabre, grisly entertainment that Sondheim envisioned.

I guess I'll buy the soundtrack and wait a few months to see Johnny Depp as Sweeney and Helena Bonham Carter as Mrs. Lovett. Until then, I have Angela Lansbury on dvd to keep me company.

Thursday, December 13, 2007

A New York state of mind


In the rivalry between Boston and New York, it was never a contest. I lived in Boston for five years, and it was the first big city I got to know and love. As Carrie Bradshaw says, I'm a bona fide city girl. But New York City was always a mystery. It seemed dangerous and intimidating. I remember seeing "The Out of Towners," with Jack Lemmon and Sandy Dennis as the Ohio couple whose trip to the Big Apple goes horribly wrong, and it left an impression.

I knew that crime was way down and Times Square had been cleaned up and New York is now one of the safest cities in the country, but I was still a little apprehensive before my April trip to see Kevin Spacey on Broadway in "A Moon for the Misbegotten."

Well, with the Red Sox safely in possession of another World Series trophy and three trips to New York City in the past six months under my belt, I can admit this without sounding like a turncoat: there's simply no comparison. I'm not going to switch sports allegiances, and I'm not talking about quality of life or cost of living or job opportunities. But speaking simply as a tourist, given a choice, I'd pick New York City over Boston.

New York completely won me over. It's now my favorite city in the world. I hate to shatter any cherished sterotypes, but New Yorkers are incredibly friendly. When I asked for directions, almost everyone was helpful and gracious. I felt safe everywhere I went. I didn't have any problem navigating the subway. In fact, people went out of their way to be helpful when I was having trouble figuring out how to add money to my subway farecard. I loved every minute of my three trips to the city this year. (With the possible exception of the 45-minute cab ride from Penn Station while the driver tried to find my hotel in Times Square). I can't believe I was ever intimidated or unsure about going by myself.

So, in honor of my appearance on "Late Night with David Letterman," here are my Top 10 things to do in New York City:

1) See a show on Broadway. Sure, there are cities with great things to do during the day. But no other city has as much to do at night, so much entertainment packed into the space of 10 blocks. Broadway has stories and spectacles that will appeal to you no matter what your interest. I've seen more than a dozen plays and musicals, and there's a dozen more I want to see. And there's even more just off Broadway. I was a little nervous about the prospect of walking through Times Square by myself after a show, but I needn't have worried. I felt completely safe and comfortable. It's great to know that I can walk around all day sightseeing, treat myself to a nice dinner, then experience some terrific theater at night before walking back to my hotel. It's my number one thing to do in New York and it's what makes New York my favorite city in the world.

2) Take a long walk. This was my first long walk in Manhattan, and it's my favorite. Start at Macy's, on 34th Street, the world's largest department store. Then make your way up Broadway, past Columbus Circle. Take a short detour to Lincoln Center for a glimpse of the fountain made famous in movies such as "Moonstruck." (If you're hungry, stop at the Whole Foods at Time Warner Center). Then continue along Central Park West to the Museum of Natural History. Along the way, you'll pass the Dakota, John Lennon's last home. Nearby is Strawberry Fields, a memorial to Lennon in Central Park. Cross the park and walk down Fifth Avenue for some window-shopping. Then stop at Rockefeller Center for a bird's-eye view of the city from the Top of the Rock, and head back to Times Square. It's a terrific 5-mile walk through midtown Manhattan.

3) Visit a part of history. It's said that more than 40 percent of Americans can trace their ancestry through Ellis Island. With the current political debate, there's no better time to visit the place where the American dream began for generations of European immigrants. There's a self-guided audio tour through the Great Hall, where immigrants were processed. While it was obviously an anxious process for millions of people, I was surprised that only 2 percent were denied entrance to the United States. It's a fascinating place. The ferry to Ellis Island stops at the Statue of Liberty. Despite seeing it in countless pictures and movies over the years, I was struck by how beautiful it is up close.

4) Go to Brooklyn, and then come back. I've been to Manhattan, Queens and the Bronx, but I'd never been to Brooklyn, and I've always wanted to go. I've never been crazy about heights, but I really wanted to walk across the Brooklyn Bridge, and I'm so glad I did. It was a terrific experience. The walkway is in the middle of the span, above traffic, so I was fine. I took the subway there, then walked back. The view of the Manhattan skyline is breathtaking and the bridge is crowded with walkers and cyclists. It's only a mile each way, but don't rush. Take a leisurely stroll. If you're there alone, people are happy to take your picture, and I took a few pictures of other walkers in return.

5) Stroll through a neighborhood. Times Square is fine, but no one really lives there. I loved venturing out to some other parts of the city. Even going a couple blocks away, to Hell's Kitchen, will give you a different view of the city. I've walked around the Upper East Side and the Upper West Side, explored my non-existent roots on the Lower East Side, and sat in Washington Square Park in Greenwich Village and thought about what it would have been like to go to NYU.

6) Spend an afternoon at a museum. I love museums, especially on rainy days. Too often, I just race through them so I can cram as much sightseeing into daylight hours as possible. But when it's raining, there's really no incentive to make a mad dash. I spent a great rainy day slowly going through each floor at the Museum of Modern Art, checking out Andy Warhol's soup cans and Marilyn Monroe, along with the Picassos and Cezannes and Van Goghs. New York doesn't have my favorite museum in the world - that distinction belongs to the Smithsonian's National Museum of American History, which is closed for renovations until next summer. And unlike the Smithsonian, New York's museums aren't free. Still, there's a lot to see, and I've only scratched the surface. So far, I've also been to the Museum of Natural History, the Guggenheim, and the Metropolitan Museum of Art. My to-do list includes the Whitney, the Museum of the Moving Image, the Lower East Side Tenement Museum, and the Theodore Roosevelt Birthplace. I'm sure there are many more I'm leaving out.

7) Be on television. When I went to New York in April, I didn't intend to be on television, but it just worked out that way. I was walking by the Ed Sullivan Theater, home of "The Late Show with David Letterman," when I saw that tickets were available for that afternoon's tapings. The whole process took the better part of an afternoon, and I don't know whether I'd do it again - there are just too many other things to see - but I'm so glad I did it once. It was pretty exciting, and when the camera panned the audience, well, I didn't get a close-up, but if you look quickly, I'm there. Here's information about how to be part of a tv audience.

8) Treat your palate. I love a city where the default bread is rye and the delis have Eastern European Jewish staples that I've heard about but would never dream of eating, like kasha varnishkes. This is New York, be adventurous. Try to avoid the national chains. Eat something ethnic. Get a real, water-boiled bagel, a schmear of cream cheese and lox. Some of my favorites are Peanut Butter & Co., a quirky little restaurant in Greenwich Village; Xing, in Hell's Kitchen, a great place for a pre-theater meal, and for a splurge on some delicious seafood, the Blue Fin, at The W Times Square hotel. I've been there three times by myself and each time, the wait staff has been incredibly kind and attentive.

9) Go to a movie set. New York has been the setting for countless movies and television shows, and it's fun to visit some of those locations. I had lunch at Katz's Deli in the Lower East Side, where Billy Crystal and Meg Ryan filmed the orgasm scene in "When Harry Met Sally." Katz's, a Lower East Side tradition since 1888, is known for its slogan, "Send a salami to your boy in the Army." Someday, I still want to make it to Tom's Restaurant, whose facade is featured in "Seinfeld."

10) Pay your respects at ground zero. The place where the World Trade Center's twin towers once stood is a giant construction site, but it's still a sobering, important place to visit. "Post No Bills" has been stenciled in white around the walkway, and people from all over the world have written messages of support on them. For me, the most emotional part was walking over to the fire station across the street, where there's a memorial to the firefighters who were killed on Sept. 11. I came to ground zero from Ellis Island, and I couldn't help but think how many people descended from immigrants who came through Ellis Island had been killed on that horrific day.

Tuesday, December 11, 2007

Around the world

This geography game, the Traveler IQ Challenge, comes via Fimoculous. You can test your knowledge of U.S. capitals, major cities, and world cities and capitals. I did very well on U.S. capitals, fair on world capitals. The goal is to click on a map to identify the location, and the faster you do it, and the closer you get, the more points you score. The difficulty increases with each round of the game. It's pretty addictive - and educational.