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"I don't really want to spoil it because I think it is one of the most stunningly choreographed pieces I have ever a., seen in my life and b., been a part of. So I would rather not say anything about it, if that's all right with you. I think surprises are the most exciting part of going to the theater."
You're right, Ms. Shelley, and I'm trying to be less spoilerish in my reviews! I know I do way too much research before I go to a show. (What can I say - I'm an information junkie. I was the type of kid who loved doing term papers.) Most of the time, knowing less is better.
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"Hair is on the one hand, one could make the case it's the classic American musical. It was the last American stage show that became the soundtrack for a generation. There's been no show on stage since Hair that actually the whole country knows. Phantom of the Opera? I don't think so."
Okay, Phantom's an easy target but I bet the Public and Mr. Eustis would be happy to have Hair run on Broadway for 21 years - and counting!
2 comments:
One could make a case for A Chorus Line and Cats as pretty pervasive cultural phenomena, but I agree that neither put as many songs into the pop repertoire as Hair. As marvelous as Gavin Creel and the rest of the cast are, I can't get excited about it, though. I may have been scarred for life by having to sing "Good Morning, Starshine" in middle school. :-)
Thanks for the comment! So sorry about middle school. ;-(
While I love Hair, I think it's just a matter of the culture being more diffuse these days. I mean, does anything bind us? American Idol? Reality tv?
Also, I think Hair came along at a perfect time to be a cultural phenomenon - the antiwar movement, the youth movement.
But basically, I think what Oskar Eustis is saying is something I've heard before: show tunes are no longer America's top 40 the way they once were.
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